“Psalteries, Citharas, and Symphony: The Musical Instruments of Daniel 3 and the Authenticity of the Book
Los Instrumentos Musicales de Daniel 3 y la Autenticidad del Libro de Daniel
DOI:
https://doi.org/10.17162/x263e476Keywords:
Daniel 3, Musical Instruments, Mesopotamia, Greece, Neo-Babylonian PeriodAbstract
The description of musical instruments in terms of Greek origin (zither, psaltery, and symphony) has led numerous theologians to consider that the composition of the book of Daniel took place in the first century B.C. Nevertheless, it is plausible that such instruments were part of Nebuchadnezzar's orchestra, that is, in Babylon, in the sixth century B.C.? This study seeks to demonstrate, through the analysis of historical and archaeological aspects, that it is posible that similar instruments existed in Babylon at that time. First, because there is the possibility that commercial relations existed between Mesopotamia and Greece. Second, because the use of music and musical instruments identical or similar to those mentioned in Daniel 3 in Mesopotamia dates back to its earliest periods.
Downloads
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Bruno A. Barros, Eloá M. Galvão

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
- The authors retain their copyright but assign to the journal the right of the first publication, with the work registered under the Creative Commons attribution non commercial (CC BY NC) license, which allows third parties to use the published information for non commercial purposes as long as they mention the authorship of the work and that it was first published in this journal.
- Authors may make other independent or additional contractual arrangements for non-exclusive distribution of the version of the article published in this journal (eg, include it in an institutional repository or publish it in a book) as long as it clearly indicates that the work was first published in this journal.
- Authors are encouraged and advised to publish their work on the Internet (for example, on institutional or personal pages) before and during the review and publication process, as it can lead to productive exchanges and a greater and faster dissemination of the published work (see The Effect of Open Access).

